Senior Curator, Aboriginal and Torres Strait Islander Art, National Gallery of Australia
Franchesca Cubillo is a Larrakia, Bardi, Wardaman and Yanuwa woman from the ‘Top End’ of the Northern Territory. Until recently, she was senior curator of Aboriginal and Torres Strait Islander Art at the National Gallery of Australia (2009–12), where she led the curatorial team in developing eleven purpose-built Indigenous Australian art galleries, the largest display of Aboriginal and Torres Strait Islander art in the world. She has over twenty years’ experience working in state and national cultural institutions.
Franchesca worked on the major exhibitions Petroglyphs (2003) and Colliding worlds: first contact in the western desert, 1932–1984 (2006) and was co-editor of the book for the National Gallery of Australia’s second National Indigenous Art Triennial, unDisclosed, which is currently touring Australia.
In 2006, she undertook a Churchill Fellowship to investigate international responses to the repatriation of the ancestral remains of indigenous nations worldwide. She holds a Bachelor of Arts in Aboriginal Affairs and Honours in Anthropology from the University of Adelaide and is currently undertaking a PhD at the Australian National University.
Franchesca was senior curator of Aboriginal Art and Material Culture at the Museum and Art Gallery of Northern Territory (2006–09), where she developed the collection, curated several Indigenous art exhibitions and delivery the prestigious Telstra National Aboriginal and Torres Islander Art Award. Previously, she held positions at Tandanya, National Aboriginal Cultural Institute, and the National Museum of Australia. Franchesca was curator of Aboriginal Anthropology at the South Australia Museum for eight years, where she assisted in the redevelopment of the Australian Aboriginal Cultures Gallery in 2000.
She has worked with many Aboriginal communities in the Northern Territory as well as in communities in the western and eastern Kimberley region, the lower Murray River region of South Australia and parts of north Queensland. Franchesca has presented many lectures and represented Indigenous culture at national and international forums, particularly in United States of America, Canada, the United Kingdom, New Zealand and Japan.
Larrakia Nation Representative
Administration for Larrakia Nation Aboriginal Corporation
Born in Darwin, Dorrie-Anne is a descendant of the Dangalaba Gullumbirrigin Saltwater Clan. She is from the Batcho family, which is one the three major Dangalaba Clan groups. Dorrie-Anne’s generally refers to her People as Larrakia.
Dorrie-Anne has been employed with the Larrakia Nation Aboriginal Corporation for ten years. She initially started there as a research assistant in the Research Division, and developed the publication “NDLERF – An investigation into the influx of Indigenous ‘visitors’ to Darwin’s Long Grass from remote NT communities – phase 2. – Being undesirable: law, health and life in Darwin’s Long Grass.” She then proceeded to an administration role, which included looking after the art room (buyers and artists). Dorrie-Anne is well known for her “Welcome to Country” and has delivered them to local, interstate and international events, helping visitors to Darwin recognise the incredible Larrakia Country, and those ancestors past, present and future.
Dorrie-Anne was invited to join the DAAFF Board, as the Larrakia Nation Representative because of her involvement with the Fair over several years, presenting the “Welcome to Country”, and her ongoing passion for supporting Indigenous Art Centres.
DAAFF Deputy Chair
Chief Executive Officer of Desart
Philip Watkins was born and raised in Alice Springs, Northern Territory, and is part of large extended Arrernte and Larrakia families.
In August 2011, Philip was appointed the Executive Officer of Desart. Desart is a peak body that advocates for the independence of remote Aboriginal Art Centres in Central Australia, fostering some forty-four Art Centres.
Prior to his appointment at Desart, Philip was employed as the Artistic and Cultural Director of the National Aboriginal Cultural Institute – Tandanya (2006-2011). This followed on from a range of positions held at the Central Land Council over a twelve year period.
Currently, Philip is a Fellow of the Governor’s Leadership Foundation (South Australia) and is a Board Member of the Indigenous Art Code of Conduct Ltd.
Director of Warlukurlangu Artists Aboriginal Corporation
Cecilia Alfonso was born in Chile and emigrated to Sydney, Australia with her family in the early 1970s. She has also lived in the United States of America, Africa and Hong Kong in pursuit of her passion for art. Cecilia achieved First Class Honours in History from the University of New South Wales, and a Masters of Art Administration from the College of Fine Arts, UNSW. While living in the United States of America she completed an internship with National Portrait Gallery at the Smithsonian Institute.
Cecilia has been working at Warlukurlangu Artists in Yuendumu since December 2001. Warlukurlangu Artists is Indigenous owned and operated and represents more than 500 artists from the communities of Yuendumu and Nyirripi. It is one of the largest and most successful Art Centres in Australia.
Chief Executive Officer of ANKA
Christina Davidson is the Chief Executive Officer of the Arnhem, Northern and Kimberley Artists (ANKA, formally ANKAAA) Aboriginal Corporation – the peak advocacy and support agency for over 5,000 Indigenous artists and 49 Aboriginal owned art centres and artist groups in the regions of: Arnhem Land, the Kimberley, Tiwi Islands and Katherine/ Darwin. Christina works for the all Indigenous board elected from across the ANKA regions which cover over 1 million square kilometres of country in Northern Australia. Before joining ANKA in late 2007, Christina had appointments lecturing in contemporary art and art theory at the universities of Sydney and Melbourne.
DAAFF Board Member
Independent consultant for tourism and regional development
Stephanie Hawkins has a long affiliation with the Northern Territory with a strong focus on community development. From working at the National Gallery of Australia in Canberra, in 1999 Stephanie moved to the NT to manage Munupi Arts and Crafts on the Tiwi Islands. After moving to Darwin in 2001 she worked with ANKA (formerly ANKAAA) as Industry Development Officer then as Executive Officer. Stephanie moved into the public sector in 2006 to manage the Indigenous Art Strategy for Arts NT. Stephanie has held a number of positions within the Northern Territory Government with a focus on Aboriginal business development including the Director of Indigenous Tourism Development with Tourism NT, managing the Northern team for Business development with the Department of Business, Innovation and Trade with a focus on regional and remote businesses. Most recently, Stephanie established the Aboriginal Business Enterprise Development unit with the Department of Local Government, Housing and Community Development with a focus on remote housing. Stephanie’s qualifications include Bachelor of Arts (Art History and Curatorship), Graduate Diplomas in Applied Science in Heritage Management and in Public Sector Management and is currently completing her last unit at CDU for her Bachelor of Laws. Stephanie is also active in the community and has previously held Board positions as President of the RSPCA Darwin Regional Branch; a Director on the RSPCA National Board and most recently a Board member for the Darwin Aboriginal Art Fair Foundation.
DAAFF Board Member
Tjarlirli Art Manager
Hayley grew up in Brisbane, studied a Bachelor of Photography at the Queensland College of Art and L’Ecole des Beaux Arts in Belgium before establishing a career in Melbourne based in communications, arts and community development.
Since 2015, Hayley has been managing Tjarlirli Art, an Indigenous owned and operated Art Centre representing over 200 artists from the communities of Tjukurla, Western Australia and Docker River, Northern Territory. In August 2016, Tjarlirli Art opens their second art centre, Kaltukatjara Art, in the neighbouring community of Docker River to expand access for all artists in the region to regular art making and skills development. Together with the Board of Directors, Hayley has managed this expansion and transition for the Art Centre, solidifying long-term sustainability for the business. Hayley also works very closely with the members of the Western Desert Mob alliance representing artists from the Ngaanyatjarra lands to develop exhibition opportunities, engage youth and deliver more effective outcomes for our artists into the future.
DAAFF Board Member
Mangkaja Arts Manager
DAAFF Board Member
Indigenous Art Centre Alliance (IACA) Manager
Pamela Bigelow is committed to her role as manager of the Indigenous Art Centre Alliance (IACA), which supports Aboriginal and Torres Strait Islander Art Centres across far north Queensland and the Torres Strait and invests in culturally strong best practice Indigenous art enterprises.
Pam has wide ranging experience as a Manager across a variety of fields. She holds a Bachelor of Education with a double major in Art and Science from University of Melbourne. Pam started her career teaching art in Victorian schools and went onto running the Art Program at Melbourne Zoo Education Service. She has experience in training, promotion, advanced team management, and high level project management skills. Working with Indigenous communities in northern Australia for over 25 years, Pam has worked in both government and community organisations, in a range of roles including: Manager of the Indigenous Lead Centre with TAFE QLD, Manager of Wet Tropics Natural and Cultural Heritage Interpretation, the Department of Environment and Heritage and manager of Natural and Cultural Heritage Interpretation with the Conservation Commission of the Northern Territory in Darwin.